This is not enough to do justice.
In a profile of me for her creative writing course, my friend called me the “girl alone in the riot-proof dorm.” That’s what the past year has been for me: solitude, safety, self-sufficiency. It is everything that seemed impossible less than two years ago.
Contentment is harder to express than the depression or rage of my nineteenth year. How do you say “I am happy” in any way but just that? Pain is common, universal, widely felt, and mulled over. Happiness is fleeting and even if everyone’s had a taste, no one really remembers it or knows it beyond the moment. We recall the details and circumstances, but not the feeling. There are just the moments and impressions.
Sunday morning. Early March of this year. I woke up in a soundless riot-proof dorm from nine and a half uninterrupted hours of much needed slumber. I tapped at my laptop and drew my curtains, finding an email from Patrick and unexpected sunniness in the process. The sun blinked back at me, demanding musical accompaniment, so I put iTunes on shuffle and made my way to the bathroom, taking a route littered with wrinkled clothing, unread books, and half-empty cigarette boxes — pieces of a scattered life. Sometime between the scent of jojoba on my cheeks and the opening strains of a Weakerthans tune, I jolted awake when I took in the full extent of my surroundings. Standing there amid my mess of a room, I realized that I had finally cleaned up my mess of a life; that I had done even better than I could’ve ever expected and found a comfort in my own skin I would’ve deemed inconceivable a year ago.
This clarity comes every once in a while, far more frequently this year than last. Some mornings, I will wake up so inexplicably content that I remain flat on my back with eyes stretched wide to take in the cars and morning joggers beyond my window. Everything else can wait while I celebrate this small moment. I like to think of these instances as an expression of my gratitude, as an appreciative reminder of what I have: the ability to be alone and happy. For the girl who used to find it a challenge to merely emerge from her bedroom, this is a veritable triumph over the melancholic ailments to which she was enslaved.
And now, May is today, and I hardly ever spend the night in my riot-proof dorm anymore. Most mornings, I wake up next to a man and his dog. There is no window above my head. The light of dawn streams into his living room but his bedroom remains cloaked in darkness. My Aveda cleanser sits in his bathroom cabinet and he keeps his hardwood floors uncluttered, save for vague evidence of my presence like the occasional earring separated from its twin.
Like my hard-earned felicity, he too is not something I can verbalize. How can one adequately express the experience of someone else? How do I do justice to the hours between dawn and waking, to the broad expanse of his chest, to morning showers with his soapy hands in my hair, to the weight and feel of him through cotton and denim? There are slivers and glimpses, and together, they pile up into impressions. This is the most I can hope for: impressions that come close enough but not quite. Impressions just close enough to extrapolate from and misinterpret or maybe to understand, hopefully to understand.
There are entire nights spent on his living room floor, the two of us face-to-face with me on his lap and his dog splayed out beside us. For minutes at a time, we look. There is looking and more looking and nothing but silence and the occasional peculiar facial expression. Sometimes, after we have maintained prolonged eye contact to the point of absurdity, he will make a cautiously affectionate remark such as “I really enjoy spending time with you.” When it comes to words, I don’t expect anything more from my stoic German. Enjoyment is concession enough. Invariably, one of us will concoct some sort of prank or ridiculous scheme. We are never up to any good, not on our own and certainly not together. More often than not, we will dissolve into laughter at the prospect of carrying out our ludicrous plans aimed at confusing and provoking ludicrous people. That’s what we spend most of our leisure time doing: plotting and giggling. I make this six-foot-something man giggle.
He’s been asking every once in a while how “that piece” is going. He knows that I’ve been having a hard time writing, that I’ve been working on something about him but I cannot manage to finish it. I have been sleeping beside him for weeks yet I cannot bring myself to contemplate what he or this means to me. It is not a conversation I’ve had with him, my friends, or anyone else; it is not even a conversation I’ve had with myself. And until a few nights ago, I wasn’t able to articulate why I was encountering so much trouble.
I’m afraid of getting you wrong, Patrick. I’ve told you before that I am constantly afraid of getting people wrong. That’s why I feel compelled to ask my first subject over and over if it’s okay to put his coarse curls and careless habits down into words. He has always told me to write what I want without worrying what he or other people might think. You say the same thing.
But how can I tell you what you mean when I can’t even tell myself what you mean? Maybe, what I am really scared of is not getting you wrong but getting you right. I don’t want to write about you because it is too much, because words might give you meaning that I have yet to grapple with. And I am not ready for that. Not quite.
There was one morning when I woke up crying in his bed. It wasn’t long after I’d come back from seeing Kennedy in Germany. She was doing fine when I got there, meaning she wasn’t 1) institutionalized or 2) suicidal, which were both improvements from the previous week. When I left Heidelberg, I felt immensely better — even hopeful — about my best friend’s mental state. But for whatever reason, I dreamed of her shortly after and I woke with an image of her pushing me away. I was visibly bothered and he wanted me to talk about it. Usually, I appreciate his willingness to listen but on this particular morning, I hated him for it, for his inability to leave things unsaid. Because here is the thing: I am so used to getting upset over stupid, superficial things that I don’t even know how to get upset over real, important things anymore. I don’t want to cry over pictures of me on the Internet because that would mean I’m weak. So I don’t want to cry over my best friend being incredibly depressed and lost because that too would mean I’m weak. Even if what it really means is that I’m human. And he seems to think I’m human, the silly boy.
Human, in fact, was the last thing I felt like being that morning but I made the mistake of telling him something that led to something else and then everything tumbled out after, little bits at first and finally, entire pieces. I told him about resentment and fear and love and fear and loss. I told him about loss. What I lost. What she lost. What I want so badly that I’m afraid she won’t give. I told him about what it means to be family, what it means to be friends. I told him that sometimes there is no difference, that it is my sister I’m afraid of losing.
He said things and I nodded and I was fine and then I wasn’t and I turned away. I was trembling and naked against the morning.
“Come here,” he said. He touched me, pulled me to him, his voice so soft, my throat so hard. That was all it took. That is all it takes. “Come here,” he always tells me in moments like these and I cannot help but break.
“Hey,” he said again. “Come here.”
So I did, and for a moment, I felt human. When I sobbed, I shook.



